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jautājums English atbilde English
13.19th century English culture and its critics.
sākt mācīties
19th c. time of the greatest empire when the ruler was Queen Victoria (rules 1837-1901). GB after Industrial Revolution was almost completely industrialised.
→ rapid development & growth of the cities, huge buildings made of iron and glass (Crystal Palace)
sākt mācīties
steam engine & Stephenson's Locomotive (1820) → completely changes the life of the society; big department stores → growth of consumerism, the main value is social status; bourgeois class of people.
Criticism: 1st half of the 19th c: Romanticism: William Blake: bitter observer of his reality, very radical critic of industrialised world; the modern town as a sign of imprisonment;
sākt mācīties
hypocrisy of the bourgeois system; the institution of marriage; marriage is not about love, but an economic transaction;
joy was eliminated; human life is a routine of hard-working; people make mistakes when despising their bodies and desire.
sākt mācīties
joy was eliminated; human life is a routine of hard-working; people make mistakes when despising their bodies and desire.
Second half of the 19th c: John Ruskin (a philosopher, art&social critic): sees serious crisis in the society; art → cheap copies pretended to be real art; clash between kitschy semi-art (Crystal palace)
sākt mācīties
and lack of interest to genuine art, people lost the sense of genuine beauty; vain celebration of goods, economic potential; society forgot about exploitation of workers → kind of slavery;
economic/mental slavery; inability to distinguish what is and what is not beautiful; absence of creativity.
sākt mācīties
economic/mental slavery; inability to distinguish what is and what is not beautiful; absence of creativity.
Matthew Arnold (Culture and Anarchy - a series of periodical essays): main question: Haven't we become overcivilised?; too much significance of technology and economic progress;
bourgeois society → highly hypocritical; seemingly ideal model of family: women- the angel in the house (The popular Victorian image of the ideal wife/woman came to be "the Angel in the House"
sākt mācīties
she was expected to be devoted and submissive to her husband. The Angel was passive and powerless, meek, charming, graceful, sympathetic, self-sacrificing, pious, and above all—pure).

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